Alchemy
A new beginning after 400 years of darkness
For more than 1000 years, oriental masters have repeatedly attempted to bring light to the Occident: To Europe. It is not for nothing that they say: Ex oriente lux – the light comes from the Orient! And not from the Occident, the lands of darkness (Europe). The alchemists had a difficult time. In a time of darkness, when the Catholic Inquisition controlled the whole of Europe and large parts of the world and covered them with its terror, they tried to bring light into people’s consciousness. Many of them were murdered, many tortured, tormented, driven out of their minds by people who, in the “name of God”, secured the greed and lust for power of those in power. Think of Giordano Bruno, Galileo, Kepler, Paracelsus, etc.
In May 1999, I visited the Czech town of Znojmo. A group of alchemists worked in this town 400 years ago in an attempt to break new spiritual ground. The town’s landmark is already reminiscent of the concept of energy pyramids, two interlocking spires. “Purely by chance”, I spent the night in a guesthouse close to the house where the builder of this unusual tower lived around 400 years ago. In a nocturnal vision, Horus showed me my former life. What I am practising here and now is the continuation of my alchemical building activities from the 16th century.
Does the phenomenon of reincarnation exist? Read more about this in the chapter“Reincarnation & phenomena“…
18.5.99, 18.25 o’clock a message from Horus (in the “Pension Blanca”/ “the White”):“Alghimista (the old name for alchemy) is the path that leads out of the I into the nature of things and connects the soul with God through the activation of the inner healing powers, thus becoming one with nature within us and outside of us, the restoration of the completeness of the human being, that is true healing!“
Have you ever heard of the ancient alchemists’ theory of sympathy? All things that are carved from the same wood or cast from the same metal are internally connected. This is how it works, that you can put a photo in an energy pyramid to send power to someone…
In January 1998, based on my experiences with the energy pyramids, I began to build magical art objects and other magical devices with which we can capture, amplify and pass on mysterious vibrations. With the help of these devices, we can learn to expand and refine our perception. We begin to feel forces that are always there, but which we were previously unaware of. Because the question of what we can perceive depends on our programming in our upbringing. This is what I mean by a real expansion of consciousness, that we learn to perceive the world in which we live in an increasingly conscious and differentiated way.
The more precisely we recognize ourselves and our situation in this mysterious world, the better we will fulfil our tasks and the more we will understand the causes of our problems and illnesses. We will find ways and means to overcome our difficulties! Self-knowledge is indeed the first step towards improvement!
On 18.5.99 we visited our manufacturer to discuss the construction of the 9 m energy pyramid and to clarify technical questions. Construction had already begun and was measured with extreme precision using a laser specially designed for this purpose. The approx. 13 m long stainless steel tubes, which consist of several parts, were measured to the millimeter on the inside up to the common tip. In what is perhaps the most important project of the present day, the new oscillation was carefully adjusted.
On 19.5.99 I received new channel messages and instructions directly in the factory on how we can already use the energy of the new 9 m pyramid. It may be irritating for intellectuals, but I could already feel the new energy pyramid, although it was still in pieces in the factory. It was already sending its vibrations through the fabric of space-time.
Practical application of the alchemical theory of sympathy: The Horus rings
We had rings cut from the 159 mm Ø stainless steel tubes of the world’s first 9 m energy pyramid, which was built in the south of France. These rings are placed as a steel band around special acrylic tubes with a height of 130 mm. They serve as stands for the small energy pyramids.
In this way, all small models equipped with a Horus ring connect with the mighty model in the Pyrenees! Of course, this is also an application of the orgone principle. A steel ring made of anti-magnetic steel encloses an organic ring made of synthetic wood (polyacrylic). These rings give all A and B models a higher dynamic and a connection to the 9m model in France.
In a C model, you can place the Horus ring in the center of the middle pyramid so that it surrounds the crystal axis. Experiments have shown that with 3 energy pyramids C in Norway, the energy almost doubled after a large Horus ring was placed inside! So the energy works over a distance of 3500 km, and presumably it will work all over the world. This is exactly applied alchemy!
Those who can perceive the energy well have the feeling of being integrated into a huge energy field, of consciously becoming part of an incredibly large, flowing force field. It is like feeling the magnetic forces of the earth flowing around you like waves in a gentle, transparent sea. I feel like a buoy in the tides of the universe that happens to be taking a break here on earth.
Horus:“Alghimista (the old term for alchemy) is the path that leads from the ego into the nature of things and connects the soul with God through the activation of the inner healing powers, i.e. the unification of nature within us and outside of us, the restoration of the completeness of man, that is true healing!”
The ancient symbol for Alghimista was a white camel walking through the eye of a golden needle, with a desert landscape with a green palm tree in the background.
The magical power of an image
It is enough to hang a photo of the large pyramid row in the French Pyrenees on the wall next to our energy pyramid at home. If you then step up to your small energy pyramid A or B, hold your hands over it to absorb this energy and look at the picture of the row of pyramids, you will receive a direct, energetic connection to the large installation. It may not be as strong as the rings, but it works too. The energy in the room increases noticeably, measured in Bovis units. How much the energy is raised depends on the user’s abilities.
Similarly, you can practise “distant Reiki with pyramid energy” and, for example, place the photo of a person you want to help in your pyramid. However, this should only be done with the knowledge and consent of the recipient. Please do not place many different objects in an energy pyramid at the same time. The different vibrations overlap and create interference, rather than benefit.
For example, limit yourself to a maximum of 4 different types of crystal or 4 different other items, rather just one type of crystal and one photo, and change it from time to time. You can find more details in my book Art & Magic with precious crystals.
This is real alchemy (magic / shamanism). Of course, this is not for scientific intellectuals. It is something for people with sensitivity and insight. If you have a good printer, use a picture from the pyramid series in the 9 m project.
You can find literature in the health lexicon!
A magical glitch in alchemy!
In 2006, we had new glass spheres mirrored from the inside for the heads of the Irminsul in Slovenia. Old-fashioned, alchemistic chemical processes are still used there.
The craftsman who did the job for us took an A-model into his workshop to get the vibration right. He understood very well what we wanted and what it was all about. The next day, he made one of his normal mirrors as usual.
The work went completely wrong! Look at this mirror: 2 bright cones appear in the mirror, running towards the center. The craftsman immediately concluded that this was an influence of the Horus energy in his workshop during the production of the Irminsul spheres. He then gave my friend Aleksander, who had arranged the job, this “misshapen” mirror (120×60 cm).
Traces in time – Goethe and magnetism
About 20-30 years ago, it was discovered that traces of human dwellings such as walls or wells and fireplaces can be seen in the color of the meadows from airplanes. The grass grows differently over the walls, even if they are one meter deep. These are “traces in time”.
At around the same time, it was discovered that the remains of human activity, invisible to us, not only leave traces in the coloration of plants, but also in the magnetic field of an area. If special magnetic field measuring devices are driven over the ground of a field or meadow at a height of 1 m and measuring points are collected every 100 cm squared, then anomalies in the magnetic field will later appear in the observation sheet that precisely outline the walls, wells and fireplaces lying in the ground, even if these human remains are many meters deep.
“The trace of our days on earth cannot perish in aeons!” Goethe
What might have motivated Goethe to write these words down? What did he know that we don’t?
Undoubtedly a great mind who acquired knowledge that has remained hidden to many people to this day.
With the Energy Pyramids ® of Horus we intervene in the natural magnetic field grids and change them in an unprecedented way. Even the structure of our dwellings and our inventory changes, as do we ourselves. Magnetic fields are elementary components of living processes. When we change the natural magnetic fields in a way that is favorable to us, we are acting at a very high level to shape our living space according to our needs, namely at the energetic level itself, from which everything is created.
“For this is true magic: when your works please God and serve mankind!” Horus
Almost 40 years on… a great discovery and a great fraud.
In 1969, a researcher discovered the oldest stone tablets in the world to date in a cave in Namibia. They are 27,000 years old.
They contain characters that no one has been able to decipher to this day, as well as drawings of animals and people.
He called the cave “Apollo 11” because “the moon was climbed” at the same time. His discovery shows us that human culture must be much older than previously assumed. It’s just a pity that probably no one has been to the moon, but only to the secret studios of Hollywood. To this day, not a single photo has been taken from Earth that would show, for example, the landing platform or the US flags on the moon. Yet our equipment is certainly good enough to photograph such objects.
“Not made by humans” Text research: sensational results
Summarized and commented by D. Harald Alke
The Essen-based literary and linguistic scholar Peter Raster has now come out with a sensational research result, at least in the context of this service. According to this, exemplary texts of the Rig Veda exhibit phonetic regularities that cannot possibly be attributed to the intellectual achievements of any “poets”. Rather, a “natural order” shines through here, as it “can be observed everywhere in nature: In the structure of atoms, the structure of crystals or the harmony of musical tone relationships”. Western science has so far been unable to explain this phenomenon. Raster is therefore preparing an interdisciplinary research project to investigate the structural patterns of Vedic hymns.
Dr. Raster received his doctorate in General and Comparative Linguistics and Indology in Münster in 1970, spent a total of eight years in the Department of Linguistics in Constance from 1970 to 1980, – in the meantime was engaged as a lecturer in German language and literature at the University of New Delhi for several years and has held a professorship for German at the Essen University of Applied Sciences since 1980. So much for Raster’s reputation – now for the facts: Several suktas (stanzas) of the first of the four Vedas (Rig-, Sama-, Yajur- and Atharva-) were examined by Raster’s team. The Rig Veda edition by the famous Indologist Max Müller served as the basis. First, the number of sounds in this sukta was counted: namely 480, an exact multiple of the meter, the rhythmic structure of the text (“Gayatri”).
In a second step, the 480 sounds found were divided into consonants and vowels. Frequency of occurrence: an exact multiple of 24 in each case.
In addition, the Vedic theory of language distinguishes consonants and vowels strictly according to their physiological place of origin, the sound classes – depending on whether a sound is produced on the lips, on the incisors, on the hard or soft palate and so on. This produces the second astonishing result: the frequency of occurrence of all sound classes is a multiple of 8 – without exception.
But that is not enough. If we do not differentiate between vowels and consonants, but rather group vowels and consonants together uniformly according to their place of origin – regardless of whether they are “open” sounds (vowels) or “closed” sounds (consonants), the result is once again an absolutely symmetrical picture: all laryngeal and palatal sounds are distributed with a factor of 32, all labial sounds with a factor of 24.
Within these three upper classes (laryngeal, palatal and labial sounds), however, vowels and consonants are in turn in whole-number ratios to each other: larynx 4:1, palate 2:1, lips 1:3.
And so on: short and long vowels have a frequency of occurrence that is an exact multiple of 24, with short vowels occurring exactly twice as often as long vowels (2:1).
Or the consonant system, which distinguishes four articulation processes in Vedic phonetics: Clasping, voiced, breathy and nasal sounds. This results in a total of eight characteristics, depending on whether the particular articulation process is addressed or not (+/- grid). And again, absolute arithmetic distribution frequencies result: Closure sounds, breathy and nasal consonants have a frequency of occurrence of a multiple of 24, voiced consonants basically follow the number 8.
In order not to make things too complicated, we will stop the presentation of the results here. Raster examined numerous other combinations of characteristics and their respective distribution frequencies. He repeatedly found that the ratios occur in absolute proportion – always as a multiple of 8, as a ratio of 160:80, 8:80, 2:1, 1:10, etc. What is important is the central result, which is already watertight and will completely revise the image we have of authentic texts:
There is an obvious connection between the frequency of occurrence of more than sixty (1) sound classes and the number of syllables in the meter of the text, which on the one hand cannot be due to chance, but on the other hand cannot be the result of intellectual effort. The same applies to the often simple integer relationships between the frequency of occurrence of phonetically related sound classes: This in turn, according to Raster, means nothing less than that structures of the human language system are mapped onto structures of the phonetic form of the text. The texts are in harmony with the system that makes them audible. Raster recognizes four “orders” here:
1. a “hidden order”, because it is not consciously perceived when listening to the recitation.
2. the “phonetic order”: order independent of the content of the text.
3. “Holistic order”: It does not unfold linearly, piece by piece, but is equally present at all points in the text. In other words: even the first sound of the text must know its place within the entire subsequent text”. I
4. it is indisputably a “natural order”, Raster: “It would be a hardly solvable task to construct a meaningful text [that is the crux of the matter] given such a large number of relations between the frequencies of occurrence of certain sound classes depending on the number of syllables of the meter”.
According to Raster, the Vedic text rather gives the impression of an order “of the same kind as the order that can be observed everywhere in nature, e.g. in the structure of atoms, the structure of crystals or the harmony of musical notes”.
According to Raster, the symmetries found “form a structure of their own”, for which only two explanatory models are available so far – both of which are formulated by the Vedic texts themselves:
“The verses of the Veda are in the Akshara (in the imperishable, i.e. not subject to time, in the transcendental realm in which all devas (general laws of nature) exist in their respective realms. Whoever does not know this, what should he do with the hymns? But those who know this are united.” Rig Veda 1.164.39
In other words, the linear, temporal form of the text is the image of an “archetype” that has a non-linear, non-temporal structure and exists in the transcendental realm of language, where it is perceived by the Vedic seers.
Raster refers here to another passage in the Rig Veda (164.45), which contains the doctrine of the four parts of speech, three of which are hidden, unmanifest, known only to the knowing Brahmin, and one of which is manifest:
“In the transcendental realm of language, the fluctuations of language-related consciousness have come to a complete rest. Consciousness is in its simplest state, in which it has only itself as its object.”
However, this transcendental realm of language is “not empty, but full of structures of its own kind. The Vedic seer (rishi), who has the ability to perceive in this realm, sees these structures and transforms them into the empirical states of language”, in other words, makes them audible through recited sounds.
But if the sound structure of the Veda is a reflection of an objective, non-human reality, then this applies no less to the linguistic content conveyed by these sounds: the Veda is right when it describes itself as “Veda” (Sanskrit: “knowledge”). The Veda is then indeed what it claims to be: the reflection of eternal information that underlies all of creation.
The Rig Veda is not alone: parallels in the Koran and the New Testament Urtext
Islamic scholars brought it to light with the help of the computer: the entire Koranic text was entered into a computer that determined the frequency of letters in each sura, with the result that “a highly developed, complicated mathematical code around the number 19” was deciphered, as the Koran scholar Dr. Rashad Khalifa, Tucson (Arizona, USA) states. Example:
The Koran has 114 suras (6 x 19). The opening verse of the first sura has 19 Arabic characters; every word of this first line appears in the entire Koran (!) with a frequency that is exactly divisible by 19. And so on.
And a monumental work by the Russian linguist Dr. Ivan Panin has shown something similar for the New Testament (Urtext): it seems to be based on the number 7 (König, “. . . Der uns den Sieg gibt”, Giessen 1977, pp. 93-107).
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